Tuesday, September 30, 2014
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girl: he cheated on me
me: then break up with him
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Saturday, September 20, 2014
Thursday, September 18, 2014
"I Don’t Eat My Friends" - T-Shirt wearing Morrissey.
Not entirely true.
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Wednesday, September 17, 2014
Death, As Depicted On The Apocalypse Tapestry, France; 1377–1382
When the Lamb broke the fourth seal, I heard the voice of the fourth living creature saying, “Come.” I looked, and behold, an ashen horse; and he who sat on it had the name Death; and Hades was following with him. Authority was given to them over a fourth of the earth, to kill with sword and with famine and with pestilence and by the wild beasts of the earth.
— Revelation 6:7-8
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Tuesday, September 16, 2014
"but you can’t headcanon every character as queer!"
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If you have $10 in your pocket and no debt, you are wealthier than 25% of Americans.
I’m rich, bitch!
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this is possibly the best transparent post ever u wont understand unless you drag it OMFg
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Friday, September 12, 2014
Thursday, September 11, 2014
Friday, September 05, 2014
Fergus is living the #vanlife dream. He surfs, he skates, he doesn’t answer to nobody… but for how long can he keep rolling? Crayfish Films go behind the scenes to meet one of the original vanlifers.
This is the full length version which premiered at the London Surf Film Festival.
*Winner of the ‘SPIRIT OF THE FESTIVAL’ award - London Surf Film Festival 2013* :-)
@crayfishfilms - Thanks for the support!
Starring: Fergus O Donnell, Mark Fountain, Dan Kinsman
Direction, Camera, Edit: Rob Lockyear, Jeremy Joyce, Rich Pearn
Aerial Camera: Tom Wadsworth & Marcus Shirley @ Aerobotix
Additional Camera: Mark Glendinning @ Supersaturated
Sound Mixing: Lawrence Kendrick
Original Music ‘Vanlife Theme’ & Final Song - Craig Johnson & Greg Birkumshaw
Tracks: ‘Harder to Discover’ & ‘Time To Be Taken’ by Rory Nunn
‘Stratofortress’ by Gonga
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Sunday, August 31, 2014
Wednesday, August 27, 2014
In this breathtaking science fiction spectacle, a strange mechanical device lands on a desolate world and uses the planet to undergo a startling transformation, that has profound implications for an entire galaxy.
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Choreographer Mor Shani is working on “Love-ism”. Love-ism is a long term study inspired by the book “Art of Loving” by Erich Fromm. In this study Shani wishes to challenge the perception and liquidity of the agreed upon, the sublime and the condemned. He asks: “when do supreme ideas about love like care, mutuality and dependency stop being sacred and become sinful? And what is it that distinguishes one kind of love from another?”
Video artist, Paul Sixta expands the conceptual grounds of Love-ism in close collaboration with Shani. He challenges the discussion by making the process of creation transparent, and is creating a film about the “Politics of Intimacy”, researching the human experience of meeting significant others in and out of the studio. The stage product and the film will be presented as one piece.
Music: Scott Matthew
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Beep, beep. Lookout! Here comes your new driveway. (at Chez Sherry)
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Thursday, August 21, 2014
"A young man leaves the house one day, for a rendezvous With other friends, to sample a brew, or..."
A young man leaves the house one day, for a rendezvous
With other friends, to sample a brew, or two
He returns and inserts a CD in his system
The music plays, but without its usual equilibrium
Not for the first time, it must be told
Because it’s that kind of household
Where the next man considers himself wiser
Someone’s adjusted the graphic equaliser
At this stage, a decision is needed
To seek out the one who did the deed
And get hostilities underway
Or just forget, and shrug it away …
‘KEEP OUT OF MY ROOM!
AND DON’T TOUCH MY STEREO
IF YOU EVER DO THAT AGAIN …
I’LL KICK YOUR ASS! YOU’LL BE FLYING
LIKE LOUIS BLERIOT …..
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Sunday, August 17, 2014
A film by Luizo Vego
A performance encontrou sua inspiração entre duas fontes principais: o tango de Buenos Aires no momento em que foi dançado entre os homens, e a representação do conto bíblico dos irmãos Caim e Abel.
O filme combina a paixão do tango e da dominação intuitiva, seguindo gradualmente os protagonistas em direção a um clímax violento e real.
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Both wry travelogue and heartbreaking tale of love lost, The Japanese Sandman adapts a letter William S. Burroughs wrote to Allen Ginsberg in 1953. Told in Burroughs’ caustically funny voice, cocaine snorting in Panama and post-prom handjobs in 1931 St. Louis dissolve into a meditation on memory and loss.Actor/performance artist John Fleck leads a stand-out cast through Burroughs’ recounting of scoring opiates and boys in Panama and, in the letter’s P.S., a love affair with farm boy Billy Brandshinkel in the Ozark’s of his youth. Imperial Teen’s Roddy Bottum provides the lively and compelling score.
Edward Buhr 2007 12 min. USA
Founded in 1977, Frameline is the nation’s only nonprofit organization solely dedicated to the funding, exhibition, distribution and promotion of lesbian, gay, bisexual and transgender media arts. Frameline Voices is a new digital initiative that showcases diverse LGBT stories and expands access to films by and about people of color, transgender people, youth, and elders.
More information: frameline.org
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